Showing posts with label suppleness. Show all posts
Showing posts with label suppleness. Show all posts

7.18.2012

Django under saddle

This is one of the last clips from the Starting Django Vlog. This video shows a ground to mounted "Touch" exercise progression for suppleness, communication and steering.
http://www.fdhorsemanship.com/


8.18.2011

How to introduce Lateral movement and why


Some of you may be saying "Lateral what?" and some of you will recognize this Horsemanship vocabulary word. Lateral Movement is simply sideways or sideways and forward movement combined ie. Leg yielding, Turn on the Forehand, Side or Full pass, Turn on the Haunches, Shoulder in and Half pass are all examples of Lateral movement.

Lateral exercises embody and resemble Yoga for horses done correctly and with attention to what is appropriate to the horses level, fitness and ability.
Performed correctly, Lateral movements improve symetrical hind end strength, balance, flexibility, and bending. They are a cornerstone of many more advanced maneuvers.

I introduce it at Liberty first in Eye Contact exercises where there is no actual contact with the horse. The horse, by merely keeping his eye on me will perform a simple Turn on the Forehand. I refine it from there up.  That's the first exercise you can play with if you have good Eye Contact from you horse. This can also be turned into Liberty Roll Backs for you western riders or if you just want to have fun and try different things with your horse. Remember a Roll Back is also a Turn on the Haunches sped up a bit. Reining maneuvers are rooted quite firmly in Dressage fundamentals and are merely performed at higher speeds. There really isn't a Discipline that doesn't utilize Dressage Principles in some way shape or form.

If you want to Introduce Lateral work in hand (Bridle or halter). Follow these steps. As a rule I teach everything on the ground first, Liberty first if possible then In Hand. To introduce the concept (and it is a hard concept for a horse) we are going to differentiate the difference between what one leg and two legs means. On the ground this can be applied in a non touch or direct touch method. I am going to deal with how I introduce the Leg cue and the movement to the horse.

I will stand on the side of my horse with either my hand on the bridge of the nose or on my line or reins. I will touch my horses side with my hand where my leg would go with the feel I would like him to respond to. I will then Cluck. One of a few things will happen. The horse may go forward which you will halt and then ask again. The horse may go backwards which you will wait through until you horse offers even the slightest sideways step and then release. You will always release on a tiny effort to the right idea. The horse may not move at all which is actually and impulsion problem. Ask them to step forward one step and then ask again releasing as soon as they "think" the right thought. One other response is that the horse pushes toward you. Just quietly resist until the horse offers to move the other way and praise them and release. Be generous with verbal praise and scratches. You can build up to bigger movements and more steps from there. Be the boss you'd want to show up to work for. Let me know how it goes in the comments section or if you have any questions.
http://fdhorsetraining.com/
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6.16.2011

Next on the Training Scale is...Impulsion












Impulsion is after Contact in the Training Scale. It is suggesting that the best time to add Impulsion is when the first three Rhythm (Relaxation), Suppleness, Contact are fairly consistent. That said this is merely a guideline and there are times when you need to be outside the box with certain horses. It is always best to listen to your horse when applying any principle or idea to your program.

There are some horses that are so backed up in there energy and movement that forward, high energy exercises may be prioritized before other areas. I find Liberty work especially helpful with these types. It builds the bond and Connection while simultaneously working on the technical aspects of the Training Scale and Natural Impulsion. I find this preferable to using a lot of artificial aids and force which can have the reverse effect of shutting a horse down and sending them introverted. And worse breaking the horses' desire and enjoyment of the interaction of riding.

Impulsion and being in front of the leg also go hand in hand. I want to put my leg on and feel a surge of energy no matter what. I have to feel a change in energy on some kind. If there is a problem here I will work within the Scale on the ground and mounted to help the horse and I overcome it together.

True Connection (the physical kind), Straightness, Roundness, and Collection, cannot be achieved with out a good gas pedal and the understanding of how to balance the energy coming from behind so we are not just pushing the horse faster and faster and more on the forehand. A feel for the horses natural fitness is important also as you can ask for more than they are truly capable of and wind up creating other problems here instead of getting more quality. The photos show two horses moving nicely forward with the first 4 elements of the Scale being applied. Remember breaking each element down will allow you to bring them all together with experimentation and different patterns. The last pattern I posted of circle to straight line of 6 or more strides to another circle and so on is also a suitable pattern for working on impulsion. Sometimes as a horse moves with more Impulsion on a straight away, they lose their balance, rhythm and suppleness. Going back to the circle and staying there will help get those elements (Rhythm, suppleness, contact) back at which point you can go back on the straight line and work on Impulsion. That's where the problem solving value comes in. You keep working on all the pieces until they all come together. Don't hesitate to ask questions or comments below!
FDT
http://fdhorsetraining.com/

6.02.2011

With Rhythm, Relaxation and Suppleness comes...

See several examples or different outlines at Liberty, Bitted, and Bitless


Contact, The Frame, or a good Outline. So following this line of thinking, Each area needs to be fairly consistent to have the other. So they are all connected to the whole end product or resulting picture.

It is a sometimes back and forth dance in the training scale because as you work with one thing, you can lose another. So here is where the problem solving value of the Training scale is.

If we have Gotten to "Contact" on the Scale, it implies that we have the first 3 elements fairly intact. Rhythm, Relaxation, Suppleness equals Contact in theory. As the Contact gains quality, We can start to add "Impulsion" which is the 5th element on the Training Scale.

The problem solving starts when we lose something when we start asking for more of something else. For Example: As I start to add Impulsion, I lose Suppleness and therefore Contact or Outline. I would go back to working on Suppleness to regain the Contact and then if I felt it appropriate, I would try to add Impulsion again.
Another example of problem solving with the Training Scale would be. I have a good Rhythm, and when I go to Supple further, I lose the Rhythm or the Tempo changes. So I have to go back to settling the Rhythm to where I want it before I go back to Suppling again and trying to work toward Contact.

All of this can take Minutes, days, weeks, or months to achieve consistency so don't just think this will all come together in one ride. You just stick to a program and you'll know when it is appropriate to add the level of difficulty. My rule is, we have to be fairly consistent at each element before going to the next and be prepared to back up the whichever is necessary to maintain the foundation components. Basically that is what the Training Scale is. The foundation of all training and if there are cracks in the foundation, they'll be problems in your training.

What does good Contact look and feel like? Well it is a result of what the horses whole body is doing that produces a good, soft, outline. It is often thought to be fixed at the mouth or poll but this is not really true. The poll plays a small role but it is something that the horse OFFERS when their body and back are relaxed, supple, and moving in a good rhythm. The correct head and neck position are a by product of a good work program. Also this can be achieved at Liberty, Online and under saddle. As always, I like to start a concept at Liberty, Carry it through online, and then under saddle. The transition is so easy for the horse then, that is fun and simple. How training should always be!

Remember, all conformations, fitness levels, and disciplines seek different carriages (Outlines). At Liberty it is easiest to see what the horse is most naturally capable of and then build up from there over time. Some horses will be naturally heavier in the Contact , and some are naturally lighter as well as softer vs. stiffer. Work with what your horses' natural tendencies are and you will see improvement over time. More videos soon!
http://fdhorsetraining.com/

5.25.2011

Mounted Relaxation and Suppleness exercise examples

In riding and ground training, the best exercises allow for minimal interference from the rider and allow the horse to fully understand, participate offer his interpretation of what you have requested. You then can fine tune the pattern as the horse understands and raise the level of difficulty when it is appropriate. This would be when the horse is pretty consistent and relaxed in the exercise. You can then add the next element of difficulty which could be speed (change of gait), smaller circles, more impulsion etc.

Here are a couple of basic super simple Rhythm, relaxation and suppling patterns to try:

1. A simple Circle of 20 meters (aprox 65 ft): A circle ridden in a reasonably correct shape will naturally encourage the horse to settle into a relaxed, Balanced, and Rhythmic gait. For faster horses trying going 1-5 meters smaller. For less energetic horses, work with a large circle to encourage forwardness (energy). Change directions once you start to feel some consistency or if you have a greener horse who is taking a longer time.

2. When the above exercise is easy, you can add 6 strides straight ahead then circle, then 6 strides straight ahead, then circle and repeat until the whole pattern is as consistent as possible on the horses easy side first. Now go to the harder direction. Again here if you have a forward going horse you can reduce the circle 1-5 meters, And keep it nice and larger for the lower energy guys and even increase the number of straight ahead strides to 8-12. You can also keep switching directions back and forth.

As always, I would like to hear feedback on what you discovered with these exercises, any problems or successes in the comments section.



4.21.2011

Training Scale Continued: Relaxation and Suppleness

Working on Suppling in hand...










Sorry I haven't posted in some time, but in case you didn't know I was in St. Vincents doing an amazing Clinic with Stina Herberg. It's on my other Blog if you want to see the highlights.

So I'm sticking to this thought on the Training scale series because I meant to finish it a long time ago so here is the second stage of the Training Scale which varies in interpretation by various schools. It is essentially the same concept though no matter the small differences.

Relaxation and Suppleness are the next step in the scale and some Scales or Pyramids do not include relaxation or it is a foregone assumption that the relaxation is there. I like to include it because it is essential to have relaxation in order to have true Suppleness and Throughness. A horse can be manually suppled by sawing, pulling and kicking but I doubt he will be relaxed! That is forced suppling and we can hardly even call it suppling at that. It is more like jamming the horse into a position.

I like to think about Suppling like a Yoga exercise for a horse. If you go to a Yoga class the instructor does not say to a beginner "ok put your feet behind your ears" on the first day of class. You start with very gentle and basic moves that gradually build strength and flexibility until one day you can do more advanced stretches or poses.

Suppling should be the same with a horse. We have to take into account the age, conformation, fitness level, training level, one sidedness and mind of the horse to gradually improve suppleness. I generally start my Training Scale exercises at Liberty because I want the horse to show me what is comfortable and natural to him without a rider, line, side reins, or head restriction. I can then see how to proceed with specific exercises at Liberty, on line, in hand, and or under saddle. I will choose exercises that will target weaknesses but work within what the horse offers at Liberty.

I can work with all stages of the Training scale (Rhythm, Relaxation, Suppleness, Contact, Straightness, Collection) at Liberty which is a gentle, fun and creative way to learn and work with it and your horse.

Getting back to the mind of the horse being relaxed as well as the body. Say you have a very high strung nervous horse, It would be a priority to relax this horse mentally if you were to have any hope of relaxing and suppling his body. Rhythm and balance exercises are a good place to work on Relaxation and open the door to the horse being able to accept suppling exercises.

I will have some video in the coming weeks showing some examples of me working on the Training Scale and  at Liberty, On line, and under saddle. For this weeks exercise to try, I want you to turn your horse loose in the ring, round pen, or small paddock and work on Rhythm, Relaxation, and Natural Suppleness. Meaning what your horses' baseline is when moving unencumbered or manipulated. It doesn't matter if he goes in a circle or large in the arena. Notice if he prefers one direction or the other, Notice if his natural rhythm is slow, fast or perfect (if he is fresh, wait until he settles in his gaits to evaluate), Once you have established a relaxed, walk, and trot Rhythm, you can try a canter (again don't worry about freshness, just let them play and settle in when they're ready). Notice if your horse travels looking out the circle and how they end up when you are near the end of your session. Does their topline soften? Do they stretch long and low naturally better in one direction once they have relaxed? Do they stay inverted and braced the whole time? Make mental notes and remember them.

As always I'd like to hear your experiences in the comments area. I'll post some patterns and exercises in the coming weeks.

http://fdhorsetraining.com/